Virtual Stamps

Greetings Followers of the blog EYESEAT.
Many uplinked images in my blogdom have been compromised into that grotesque gray and blue gauge-icon demanding subservience from Photobucket. My apologies ring out true as I sit back and grow blue. I can't afford $400/year to keep images uploaded, no. So we're just starting over, here. Sure, I can occasionally go back and re-upload the archive of images here, but that would take as long as a remote satellite to orbit the earth seventy times. The ephemeral nature of image hosting services mirrors the constant mutations rippling through the spacetime fabric of the cosmiverse.

The origins of visions as seen through our optic nerves: where do they arrive from, if not starlight? In our waking dreams here on this electromagnetic spinning planet, how did we come to open our eyes and see? Please excuse me while I go refill my coffee. Today's watercolor illustration is a repeat under a new title. Maybe you missed it, years ago. I tell you, I thought about this until I was in danger of becoming permanently anchored into the ground as a human tree. Stay tuned in the following weeks for new artwork to be denied being hosted and uploaded here. I'm still here, the hidden shadow behind the lurkers, but my words themselves are reading you, there's no longer any room for doubting that this remains true, and its because you aren't even here really to be read by my words. So there.



Mar 31, 2011

TRAP


watercolor on glossy photo print paper
*This painting was done for Vincent Daemon's "Saturday Morning Flash Fiction Special" TRAP - only on
the Freezine of Fantasy & Science Fiction



The image you see ABOVE, is the "Improved scan".

The image you see BELOW is the result
of an inferior scan on an apple, where
I couldn't get the settings adjusted right.

EYESEAT is accustomed to displaying
higher quality scans of watercolors.

The artist is currently searching through
his growing archive of originals
so that he may re-scan the 4" x 6"
glossy photo print 'Trapped'.

In the meantime, the scanned image
below--inferior due to it's having
only acquired the surface topography
of the original illustration, and
furthermore--rendering it's colors
with a matte finish and flattening
it out; when the better scan goes up
to replace it, the difference between
the two should be clear to see.

The glossy photo print paper absorbs
the bright, dark and deep colors into a
glassiness achieving a holographic depth.

Stay Tuned for the introduction
of the better, improved, real 3D
glossy photo print scan as rendered
optimally by pixillated light. . .



"Trapped"




watercolors and black Sharpee on glossy photo paper
This one's for Vince Daemon—thanks for the inspiration

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